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But what else made it special? Like, was it a neighborhood school or sort of a school you had to apply to get into?īATISTE: You have to apply to get into it. Augustine High School, which is a - it's a special high school that you went to. And there's so many others that have collaborated with me on this album. They're an institution in New Orleans music and represent the deep faith and spiritual underpinning of all of the music that's presented here. And the Gospel Soul Children choir's on this song. And it represents the multigenerational realizations that we're undergoing right now, the multigenerational unlearning, the inherited struggles, the inherited triumphs. They're 5 and 11 years old at the time when we recorded this. And I went to that school, and I was in the Marching 100.Īnd my grandfather's on this track. And many leaders in the community, many leaders across the world in different sectors went to that school. It's a historically Black high school, St. My high school marching band is on this song. And "We Are" was one of the last songs that we created during that six days.Īnd over the course of eight or nine months, ending during the first wave of the pandemic, I finished the album and cast the album - meaning I took all of these different demos and different sketches and found the right people to bring them to life. And after six days, we had the blueprint, really the vision for what this album would be in about five or six songs. So I set up this studio in the dressing room, had food deliveries coming in at all hours. At the time, I was also composing the score for "Soul" during "The Late Show" and several other projects. And the backstory is really something that happened in a six-day recording session in my dressing room at the Ed Sullivan Theater - six days, 24/7, musicians.
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It's the name you've given protests that you've led.īATISTE: Yep, yep, "We Are." It's the question and it's the answer all in one. What's the backstory of this song? How did you write it? It's - you know, it's the title track of your album. It is great to have you back on the show. GROSS: That's the title track of Jon Batiste's new album, "We Are." Jon Batiste, welcome back to FRESH AIR.
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The country is full of stars, but they're in a war, blind in the dark. We are, we are, we are, we are the golden ones. We are, we are, we are, we are the chosen ones. Joy that she doesn't know, what she doesn't know.
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Nana knows how to sing and soothes us all from summer to fall and always.
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Watch them shine from afar on days when it's hard and always. JON BATISTE: (Singing) The ghetto is full of stars. Let's start with the title track from "We Are." He started performing with his family's band when he was a child. And of course, you can hear the influence of New Orleans, where he's from and where his family is known for playing music. We recorded our interview in March, after the release of his album "We Are," which reflects his love of soul, R&B, pop, gospel and marching bands, as well as jazz. Batiste is the music director and bandleader of "The Late Show With Stephen Colbert." During the pandemic lockdown, Batiste got into the streets to perform at protests after George Floyd was killed and to play pop-up performances, including at a mass vaccination site in New York. He also arranged and performed that part of the score. This year, Batiste won an Oscar, Golden Globe and a Critics' Choice Award for composing the jazz music for the Pixar animated film "Soul," which is streaming on Disney+. We're going to hear my interview with composer, pianist, bandleader and singer Jon Batiste and with Batiste at his home piano so he could play and sing for us, including doing his interpretations of the national anthem and the Black national anthem, "Lift Every Voice." We have a great, entertaining show that seems right for the holiday, this Independence Day that comes just a couple of weeks after Juneteenth was declared a national holiday.